momentous
An art and inspiration blog
momentous
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fraupornuar:

by Jess Riva Cooper
fraupornuar:

by Jess Riva Cooper
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secretlion:

70sscifiart:

Chris Foss and HR Giger’s concept art for Jodorowski’s unproduced Dune. 
"Fanboys and girls would have drooled over the visual team. A then-obscure H.R. Giger designed the creepier Harkonnen settings. Dan O’Bannon, known at the time for his work with John Carpenter on the sci-fi film Dark Star, was brought on as the special effects wiz. (Jodorowsky rejected Douglas Trumbull because he found him too full of himself.) British artist Chris Foss designed the space craft. And Jean Giraud, aka French comic book artist Moebius, brought Jodorowsky’s dreams to life in some 3,000 storyboard drawings that perfectly capture a character or scene with a few quick pencil marks on the page."
From the fantastic Boing Boing essay about it, available here. Read the whole thing.

Hoooly shit. Especially the Chris Foss stuff.
secretlion:

70sscifiart:

Chris Foss and HR Giger’s concept art for Jodorowski’s unproduced Dune. 
"Fanboys and girls would have drooled over the visual team. A then-obscure H.R. Giger designed the creepier Harkonnen settings. Dan O’Bannon, known at the time for his work with John Carpenter on the sci-fi film Dark Star, was brought on as the special effects wiz. (Jodorowsky rejected Douglas Trumbull because he found him too full of himself.) British artist Chris Foss designed the space craft. And Jean Giraud, aka French comic book artist Moebius, brought Jodorowsky’s dreams to life in some 3,000 storyboard drawings that perfectly capture a character or scene with a few quick pencil marks on the page."
From the fantastic Boing Boing essay about it, available here. Read the whole thing.

Hoooly shit. Especially the Chris Foss stuff.
secretlion:

70sscifiart:

Chris Foss and HR Giger’s concept art for Jodorowski’s unproduced Dune. 
"Fanboys and girls would have drooled over the visual team. A then-obscure H.R. Giger designed the creepier Harkonnen settings. Dan O’Bannon, known at the time for his work with John Carpenter on the sci-fi film Dark Star, was brought on as the special effects wiz. (Jodorowsky rejected Douglas Trumbull because he found him too full of himself.) British artist Chris Foss designed the space craft. And Jean Giraud, aka French comic book artist Moebius, brought Jodorowsky’s dreams to life in some 3,000 storyboard drawings that perfectly capture a character or scene with a few quick pencil marks on the page."
From the fantastic Boing Boing essay about it, available here. Read the whole thing.

Hoooly shit. Especially the Chris Foss stuff.
secretlion:

70sscifiart:

Chris Foss and HR Giger’s concept art for Jodorowski’s unproduced Dune. 
"Fanboys and girls would have drooled over the visual team. A then-obscure H.R. Giger designed the creepier Harkonnen settings. Dan O’Bannon, known at the time for his work with John Carpenter on the sci-fi film Dark Star, was brought on as the special effects wiz. (Jodorowsky rejected Douglas Trumbull because he found him too full of himself.) British artist Chris Foss designed the space craft. And Jean Giraud, aka French comic book artist Moebius, brought Jodorowsky’s dreams to life in some 3,000 storyboard drawings that perfectly capture a character or scene with a few quick pencil marks on the page."
From the fantastic Boing Boing essay about it, available here. Read the whole thing.

Hoooly shit. Especially the Chris Foss stuff.
secretlion:

70sscifiart:

Chris Foss and HR Giger’s concept art for Jodorowski’s unproduced Dune. 
"Fanboys and girls would have drooled over the visual team. A then-obscure H.R. Giger designed the creepier Harkonnen settings. Dan O’Bannon, known at the time for his work with John Carpenter on the sci-fi film Dark Star, was brought on as the special effects wiz. (Jodorowsky rejected Douglas Trumbull because he found him too full of himself.) British artist Chris Foss designed the space craft. And Jean Giraud, aka French comic book artist Moebius, brought Jodorowsky’s dreams to life in some 3,000 storyboard drawings that perfectly capture a character or scene with a few quick pencil marks on the page."
From the fantastic Boing Boing essay about it, available here. Read the whole thing.

Hoooly shit. Especially the Chris Foss stuff.
secretlion:

70sscifiart:

Chris Foss and HR Giger’s concept art for Jodorowski’s unproduced Dune. 
"Fanboys and girls would have drooled over the visual team. A then-obscure H.R. Giger designed the creepier Harkonnen settings. Dan O’Bannon, known at the time for his work with John Carpenter on the sci-fi film Dark Star, was brought on as the special effects wiz. (Jodorowsky rejected Douglas Trumbull because he found him too full of himself.) British artist Chris Foss designed the space craft. And Jean Giraud, aka French comic book artist Moebius, brought Jodorowsky’s dreams to life in some 3,000 storyboard drawings that perfectly capture a character or scene with a few quick pencil marks on the page."
From the fantastic Boing Boing essay about it, available here. Read the whole thing.

Hoooly shit. Especially the Chris Foss stuff.
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guyletatooer:

East River , Brooklyn .
guyletatooer:

East River , Brooklyn .
guyletatooer:

East River , Brooklyn .
guyletatooer:

East River , Brooklyn .
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lucifers-ladyy:

-
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likeafieldmouse:

Daniele Buetti - On All Fours (2003)
likeafieldmouse:

Daniele Buetti - On All Fours (2003)
likeafieldmouse:

Daniele Buetti - On All Fours (2003)
likeafieldmouse:

Daniele Buetti - On All Fours (2003)
likeafieldmouse:

Daniele Buetti - On All Fours (2003)
likeafieldmouse:

Daniele Buetti - On All Fours (2003)
likeafieldmouse:

Daniele Buetti - On All Fours (2003)
likeafieldmouse:

Daniele Buetti - On All Fours (2003)
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itscolossal:

Step Inside an Interactive M.C. Escher Drawing with Monument Valley
itscolossal:

Step Inside an Interactive M.C. Escher Drawing with Monument Valley
itscolossal:

Step Inside an Interactive M.C. Escher Drawing with Monument Valley
itscolossal:

Step Inside an Interactive M.C. Escher Drawing with Monument Valley
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foramodernstory:

Rinko Kikuchi for Jalouse China December 2013 by Jumbo Tsui
foramodernstory:

Rinko Kikuchi for Jalouse China December 2013 by Jumbo Tsui
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aphoticsouls:

ratsimons:

99%IS FW14

B&W FASHION
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artschoolglasses:

Vogue Japan
artschoolglasses:

Vogue Japan
artschoolglasses:

Vogue Japan
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2headedsnake:

Sebastian Cabrol
2headedsnake:

Sebastian Cabrol
2headedsnake:

Sebastian Cabrol
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dismemberment:

DISMΞMBΞRMΞNT 
My edit, don’t remove source or text, thank you
Photo credit to Coco ♥♡★☆
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littlelimpstiff14u2:

IGOR MORSKI SURREALISM
Just a few of his Digital Illustrations
Illustrator, graphic designer

‘Many years ago I decided to choose the technic of electronic montage. Because I observed that photography influences differently the perception than graphic works. People, even today, in the time of Adobe Photoshop program domination, treat photography as recording the reality, are willing to believe in it to large extant. It causes that manipulated picture moves more, is more suggestive…
 ‘


Poznan, Poland
 www.igor.morski.pl/ 
http://www.behance.net/IgorMorski
littlelimpstiff14u2:

IGOR MORSKI SURREALISM
Just a few of his Digital Illustrations
Illustrator, graphic designer

‘Many years ago I decided to choose the technic of electronic montage. Because I observed that photography influences differently the perception than graphic works. People, even today, in the time of Adobe Photoshop program domination, treat photography as recording the reality, are willing to believe in it to large extant. It causes that manipulated picture moves more, is more suggestive…
 ‘


Poznan, Poland
 www.igor.morski.pl/ 
http://www.behance.net/IgorMorski
littlelimpstiff14u2:

IGOR MORSKI SURREALISM
Just a few of his Digital Illustrations
Illustrator, graphic designer

‘Many years ago I decided to choose the technic of electronic montage. Because I observed that photography influences differently the perception than graphic works. People, even today, in the time of Adobe Photoshop program domination, treat photography as recording the reality, are willing to believe in it to large extant. It causes that manipulated picture moves more, is more suggestive…
 ‘


Poznan, Poland
 www.igor.morski.pl/ 
http://www.behance.net/IgorMorski
littlelimpstiff14u2:

IGOR MORSKI SURREALISM
Just a few of his Digital Illustrations
Illustrator, graphic designer

‘Many years ago I decided to choose the technic of electronic montage. Because I observed that photography influences differently the perception than graphic works. People, even today, in the time of Adobe Photoshop program domination, treat photography as recording the reality, are willing to believe in it to large extant. It causes that manipulated picture moves more, is more suggestive…
 ‘


Poznan, Poland
 www.igor.morski.pl/ 
http://www.behance.net/IgorMorski
littlelimpstiff14u2:

IGOR MORSKI SURREALISM
Just a few of his Digital Illustrations
Illustrator, graphic designer

‘Many years ago I decided to choose the technic of electronic montage. Because I observed that photography influences differently the perception than graphic works. People, even today, in the time of Adobe Photoshop program domination, treat photography as recording the reality, are willing to believe in it to large extant. It causes that manipulated picture moves more, is more suggestive…
 ‘


Poznan, Poland
 www.igor.morski.pl/ 
http://www.behance.net/IgorMorski
littlelimpstiff14u2:

IGOR MORSKI SURREALISM
Just a few of his Digital Illustrations
Illustrator, graphic designer

‘Many years ago I decided to choose the technic of electronic montage. Because I observed that photography influences differently the perception than graphic works. People, even today, in the time of Adobe Photoshop program domination, treat photography as recording the reality, are willing to believe in it to large extant. It causes that manipulated picture moves more, is more suggestive…
 ‘


Poznan, Poland
 www.igor.morski.pl/ 
http://www.behance.net/IgorMorski
littlelimpstiff14u2:

IGOR MORSKI SURREALISM
Just a few of his Digital Illustrations
Illustrator, graphic designer

‘Many years ago I decided to choose the technic of electronic montage. Because I observed that photography influences differently the perception than graphic works. People, even today, in the time of Adobe Photoshop program domination, treat photography as recording the reality, are willing to believe in it to large extant. It causes that manipulated picture moves more, is more suggestive…
 ‘


Poznan, Poland
 www.igor.morski.pl/ 
http://www.behance.net/IgorMorski
littlelimpstiff14u2:

IGOR MORSKI SURREALISM
Just a few of his Digital Illustrations
Illustrator, graphic designer

‘Many years ago I decided to choose the technic of electronic montage. Because I observed that photography influences differently the perception than graphic works. People, even today, in the time of Adobe Photoshop program domination, treat photography as recording the reality, are willing to believe in it to large extant. It causes that manipulated picture moves more, is more suggestive…
 ‘


Poznan, Poland
 www.igor.morski.pl/ 
http://www.behance.net/IgorMorski
littlelimpstiff14u2:

IGOR MORSKI SURREALISM
Just a few of his Digital Illustrations
Illustrator, graphic designer

‘Many years ago I decided to choose the technic of electronic montage. Because I observed that photography influences differently the perception than graphic works. People, even today, in the time of Adobe Photoshop program domination, treat photography as recording the reality, are willing to believe in it to large extant. It causes that manipulated picture moves more, is more suggestive…
 ‘


Poznan, Poland
 www.igor.morski.pl/ 
http://www.behance.net/IgorMorski
littlelimpstiff14u2:

IGOR MORSKI SURREALISM
Just a few of his Digital Illustrations
Illustrator, graphic designer

‘Many years ago I decided to choose the technic of electronic montage. Because I observed that photography influences differently the perception than graphic works. People, even today, in the time of Adobe Photoshop program domination, treat photography as recording the reality, are willing to believe in it to large extant. It causes that manipulated picture moves more, is more suggestive…
 ‘


Poznan, Poland
 www.igor.morski.pl/ 
http://www.behance.net/IgorMorski
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euo:

 Paradis Magazine